THE HISTORY OF THE SANTA BARBARA WRITERS CONFERENCE — 1993

An excerpt from the upcoming book by Armando Nieto, Mary Conrad, and Matt Pallamary: SBWC Chief of Staff Paul Lazarus introduced Robert B. Parker, he highlighted Parker’s background as a tenured professor at Northeastern University in Boston. Lazarus explained that although a tenured professor, Parker was only teaching one Wednesday class a week when he left the university to write full time. When asked why he left academia where he only had to teach on Wednesdays, Parker replied, “Yeah, but it was every Wednesday.” His Spenser thrillers were hailed by the Washington Post as “a seminal and exceptional series in the history of American hard-boiled detective fiction.”

Parker was a big, affable man with an “elegant mustache,” according to one newspaper account of his visit to the SBWC. With his doctorate in English Literature, he created the well-read Spenser, a Boston detective whose cases comprised twenty-four novels and a television series. That same newspaper account noted that the purchase and subsequent loss of a handgun was the only genre related research Parker conducted in developing his character’s character.

On his writing process: “I write five pages five days a week.”

On his struggle as a beginning writer: “None, I’m sorry to say. I wrote my first book and sent it off to Houghton Mifflin because they were the closest. Three weeks later they wrote me to say they wanted to publish it,” and the Spenser series was born with publication of The Godwulf Manuscript.

Parker was sheepish in explaining that his wife Joan was responsible for much of his success; for encouraging his pursuit of a doctorate to get a better job, and negotiating with agents and publishers. “Trust me,” he explained, “if you have to get into an argument with one of us you want it to be me and not Joan.”

On what mystery writer he read: “I don’t read much at all. I have a Phd, so I don’t have to,” he joked, but seriously, he explained that he saved his creative juices for writing. “I like Dutch, because of the way he sounds,” referring to Elmore Leonard. He also admitted to reading non-fiction.

On Robert Urich who portrayed Spenser in the TV series: “No, I didn’t imagine Urich as Spenser. If I thought of anyone it would probably be a young Robert Mitchum, or now, an older Robert Mitchum.”

1993-pic-12

robert-mitchum1979

Robert Mitchum

SBWC workshop leader Matt Pallamary always had an affinity for the Spenser books and television series because he grew up in Dorchester, a tough Irish Catholic neighborhood, a setting where many scenes from and many of the Spenser stories took place. Best selling Crime writer Dennis Lehane is also from Dorchester.

When Matt met Parker this first time in Santa Barbara the exchange went something like this:

"Hi Bob, it's nice to meet you. I grew up in Dorchester and I have always enjoyed Spenser."

Parker sat back, eyes wide in an exaggerated gesture and said,  "Dorchester? What the f*ck are you doing here?"

THE HISTORY OF THE SANTA BARBARA WRITERS CONFERENCE — 1992

An excerpt from the upcoming book by Armando Nieto, Mary Conrad, and Matt Pallamary: sbwc-front-cover

Ray Bradbury spoke on Friday night about belief in oneself and to never lose faith. “When you make your first sale you need to celebrate, because it may be a year before you make another.”

He told how as a boy he opened an envelope on the lawn of his mother’s house and let out a yell when he read a letter telling him of his first sale. “My mother and I hugged each other and danced around the yard!” he said. For which he received a free subscription to the magazine.

He didn’t make another sale for more than a year.

Ray said that when his family moved to Los Angeles he was thirteen years old and he discovered the places in local museums where Hollywood memorabilia was housed. He searched out those places and wrote letters to cartoonists, pulp fiction writers, and the people who made magic in B movies, and he spent hours and days reading stories about everything, haunting the libraries.

He said he didn’t go to college. “I went to libraries, and I stayed there,” he said. “And when I was 27 years old I graduated from the library!”

He also spoke about his time in Ireland with movie director John Huston, who was filming his classic “Moby Dick.” As he told the story behind Green Shadows, White Whale, writer Bradbury painted a picture of his time in Ireland chasing Huston’s dream of an epic screenplay worthy of the concept in the director’s mind. Waving his arms and drawing out the pub owner and cab driver from the pages of his novel and memory he filled the auditorium with images of Irish fog, warm Guinness, and cold rain.

He got the gig, writing the screenplay for Moby Dick, when John Huston invited him to his hotel in Los Angeles and asked, “Well Ray, what are you doing for the next year?” When Ray answered, “nothing,” Huston continued, “Well, tell you what. Why don’t you go home tonight, read as much as you can of the book [Moby Dick], come back tomorrow and help me kill the white whale?”

Bradbury did go home and said to his wife, “Maggie, pray for me. I have to read a book tonight and give a book report in the morning.”

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November Newsletter

462895_306725996049613_224041766_o JUNE 18-23, 2017 Early Bird Registration A Perfect Holiday Gift to Yourself

$575--full conference for all six days! Through February 15 Register here.

Improve your craft. Find your tribe. Make lifelong connections.

The Santa Barbara Writers Conference will reconvene June 18 - 23 at the charming, beachside Santa Barbara Hyatt.

We'll have agents, afternoon panels, 20 daily writing workshops, two banquets and an ocean view cocktail party.

Guest speakers include: Fannie Flagg, David Brin, Armando Lucas Correa, Lesley M. M. Blume, and Tracy Daugherty.

Since its origins in 1972, SBWC has given writers an oasis of time, place and focus to hone craft and connect with mentors, agents and publishers.

A few of America's influential writers who have spoken at SBWC: Ray Bradbury, Eudora Welty, James Michener, Charles M. Schulz, and Elmore Leonard.

We invite you to be a part of this ongoing literary legacy.

Registration is open now.

We look forward to seeing you June 18-23, 2017.

Grace Rachow SBWC Director

Our 45th Year! "The answer to all writing is love." — Ray Bradbury

"The best in the nation." — James A. Michener

"A most stimulating time—a glorious week!" — Eudora Welty

"An important and wonderful week." — Elmore Leonard

"SBWC offers aspiring talents opportunities to have their work seen by professionals who can help them reach publication." — Los Angeles Times

THE HISTORY OF THE SANTA BARBARA WRITERS CONFERENCE — 1991

An excerpt from the upcoming book by Armando Nieto, Mary Conrad, and Matt Pallamary: The Santa Barbara Writers Conference Scrapbook  — Words of Wisdom from Thirty Years of Literary Excellence 1973 – 2003

On January 7th - Saddam Hussein prepared his troops for what he said would be a long violent war against the United States and on January 8th "Davis Rules" with Jonathan Winters & Randy Quaid premiered on ABC-TV.

On January 10th US Congress began its debate on the Persian Gulf crisis and on January 11th - Congress empowered George Bush Sr. to order attack on Iraq following up on January 12th by giving Bush authority to wage war against Iraq. Operation Desert Storm began against Saddam Hussein on January 17th.

On March 3rd the Los Angeles Police severely beat motorist Rodney King, which was captured on amateur video and on March 15th Four Los Angeles, California police officers were indicted for the videotaped March 3rd beating of motorist Rodney King during an arrest.

From thirty-six students at the Cate School in 1973, the students attending the 19th Annual Santa Barbara Writers Conference now numbered 300 plus, 60% of whom were returnees and 26 faculty members. All the elements that made the conference a premiere event were coordinated by Mary Conrad, assisted by her cadre of volunteers.

A late addition to the conference was Joseph Wambaugh, The Onion Field, The Blue Knight, and many others. Returning speakers included Elmore Leonard, Cat Chaser, 52 Pick-Up, Killshot, Get Shorty, and others, and longtime SBWC favorite Sue Grafton, A is for Alibi, and the rest of her alphabet series, and perennial favorite Charles (Sparky) Schulz.

Before introducing Ray Bradbury on Friday night, Barnaby Conrad read a few examples of what could be submissions for the annual “Worst Opening Sentence” contest which was open to all conference attendees.

He’d always hated being bound and gagged…”

The sun rose slowly, like a fiery fur ball coughed up uneasily onto a sky-blue carpet by a giant unseen cat…”

While the riddle of the long intestine cannot be unraveled here, we can at least allude to the romance of digestion…”

The sun fought like a tiger to escape from its cage of dark clouds and finally emerged gently as a lamb, bestowing its soft warmth upon Leanne, her golden hair blown by the wind which swept across the high, rocky hill overlooking her ancestral home, once threatened by fire and flood, now owned by the man who killed her father, raped her grandmother, and was soon to become her husband.”

Arguably, only Ray Bradbury could comfortably follow Barnaby at his best, and Ray started the 19th SBWC lecturing on “Tomorrow the Universe.” In the welcoming Write Right On! Jan Curran quoted from Bradbury’s book, A Complete Guide to Writing Fiction:

“If you want to write, if you want to create, you must be the most sublime fool that Gold ever turned out and rambling…You must write every single day of your life…I wish craziness and foolishness and madness upon you…may you live with hysteria, and out of it make fine stories…may you be in love for the next 20,000 days. And out of that love, remake a world.”

1991 news 23

Joe Wambaugh and Chuck Champlin

Joe Wambaugh and Chuck Champlin

1991 news 41

1991 news 29

May 27 Newsletter

The Santa Barbara Writers Conference: June 5-10, 2016

June 5-10, 2016
SwirlSBWC 2016: June 5-10, Hyatt Santa Barbara We still have some spaces left at this year’s conference, so if you have not already registered, here are five reasons to attend SBWC 2016 
1. Our student to faculty ratio is excellent.  Connect with mentors and authors and get feedback on your stories in more than twenty daily workshops. Before Daisy Fay and the Miracle Man and Practical Demonkeeping, Fannie Flagg and Christopher Moore were SBWC students workshopping in some of these very same classes.
2. Enjoy the American Riviera. Spend some time at the beach across the street and write the Great American Novel in one of the most beautiful places in the U.S.3. Learn how to pitch your book, and then slyly or forcefully practice on the agents and editors we have corralled for the wine and cheese party by the pool on Tuesday, June 7th.4. Sip late-night coffee and develop your voice in one of our 9 p.m. pirate workshops. T. S. Eliot famously said, “For last year’s words belong to last year’s language. And next year’s words await another voice.”

5. Begin a friendship to last a lifetime with someone who truly understands your passion. Ray Bradbury told us in 2008, “You learn writing by writing every day and by having good friends surrounding you who love you and love writing as much as you do."

And if that isn't enough to convince you to sign up today, here's a few more reasons to attend:

  • Hear five talented and inspiring evening speakers including Rufi Thorpe whose newest book, Dear Fang, With Love got an Oprah nod.
  • Attend dynamic and informative panels and afternoon speakers on topics ranging from how to market your book once published to how to navigate the sometimes rough road to publication.
  • Join our afternoon poetry readings.
  • Schedule 10-minute agent pitch sessions for only $25.
  • Attend a pool-side wine and cheese party where you can chat visiting agents up about your project.

Our 44th Year!

Snoopy

"A most stimulating time—a glorious week!" — Eudora Welty

"The best in the nation." — James A. Michener

"An important and wonderful week." — Elmore Leonard

"SBWC offers aspiring talents opportunities to have their work seen by professionals who can help them reach publication." — Los Angeles Times

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Register now for only $650That cost includes two full banquet dinners (opening and closing night), awards ceremony, agent meetings, more than 20 different workshops, afternoon panels, a talent show on the last day (where attendees can show off other talents besides writing) and much, much more.    Write On! Grace Rachow and Erin Munsch

THE HISTORY OF THE SANTA BARBARA WRITERS CONFERENCE — 1990

An excerpt from the upcoming book by Armando Nieto, Mary Conrad, and Matt Pallamary: The Santa Barbara Writers Conference Scrapbook  — Words of Wisdom from Thirty Years of Literary Excellence 1973 – 2003

The 18th Annual Santa Barbara Writers Conference welcomed new speakers including author, composer, musician, comedian, television and radio personality Steve Allen; new book panelist Monte Shultz for Down by the River, Ella Leffland Looking for Goring, Joan Quigley, President and Mrs. Reagan’s astrologer, and Amy Tan The Joy Luck Club. The conference also featured two tributes; one for Gore Vidal and another for John Hersey.

Plans for the SBWC took a few detours because of the infamous Painted Cave Fire which was later renamed the Painted Fire which raged throughout the week of the conference, endangering homes and closing highways. Barnaby Conrad went missing in action on his errand to pick up Gore Vidal from the Santa Barbara Airport due to road closures. Gore and Barnaby had to drive north, spending the night and dining in Buellton, to the surprise and pleasure of North County residents. Although one fan introduced himself saying, “How do you do, Mr. Asimov? I’ve read all your books,” mistaking Vidal for science fiction writer Isaac Asimov.  Thankfully, word of their North County exploits calmed Santa Barbara Conference attendee’s fear of the worst while flames from the fire continued to light the night sky and smoke filled the daylight hours.

When the durable duo finally returned to the Miramar hotel, at the opening of the Gore Vidal Tribute the author began with an amusing, low-key imitation of Ronald Reagan, followed by the comment, “I’m here because I would say Barnaby is the world’s greatest blackmailer!”

Before leaving the stage he also announced, “I go from here to what is left of the left—Berkeley!”

Regarding his recent sojourn in Mississippi where he was shooting a five-day documentary about his family, most of whom he’d never met, “I’ve never seen so many variations of my nose!”

It seemed as if every sentence of his ended with an exclamation point.

Artie Shaw returned as a speaker and was in fine fettle, imparting his own brand of wisdom. Said the former Abraham Isaac Arshawsky, who was raised in poverty on New York’s lower East Side:

“What’s so hard about divorce? You just pack a bag and call a cab.”

On marriage to Ava Gardner, Lana Turner, and his eight marriages: “All those were, were legalized love affairs. You should have seen the women I didn’t marry!”

On talent and fame: “Talent is a form of obsession. Talented people are not pleasant.”

And his four rules of life: “Show up, get along, have fun, and don’t get caught.”

1990 news 2

1990 news 15

SBWC Writing Contest Winners Announced

SBWC 2016: June 5-10, Hyatt Santa Barbara Dear Writers,Thank you to those of you who entered our Annual Writing Contest. 

After reviewing more than 250 entries from all over the United States, we’d like to congratulate our 3 winners and 2 runners-up.

The following individuals won a full or partial tuition scholarship to this year's conference, June 5-10. You can read their winning entries on our SBWC blog in a few days.

Winners: Full Scholarships to SBWC 2016

Melanie Howard Wanda Maureen Miller Sharon Brown 

Honorable Mentions: Partial Scholarships to SBWC 2016

Sophie Berti Anita Perez Ferguson

We appreciate every writer who took a chance and submitted their writing to be considered. We know that is a small act of bravery.

There were many excellent entries, but the above writers were the ones who this time around rose to the top.

Congratulations, all.

10-minute Pitch Sessions with Agents and Editors

One perk of this year's conference is the 10-minute pitch sessions. Many writers who didn't have a polished five pages to send into agents for Advanced Submission can still get a chance to meet with an agent or editor to pitch their book or project.

Registered attendees can sign up to meet with as many agents/editors as desired depending on availability. Don't wait too long since spots are filling up fast.

Sign up here for only $25 once you are registered for the full conference. Check out the agents' bios here.

The 44th Annual Santa Barbara Writers Conference will be kicking off in almost two weeks and we are looking forward to another wonderful year.

If you haven't yet registered, visit our website: www.sbwriters.com.

Our 44th Year!

Snoopy

"A most stimulating time—a glorious week!" — Eudora Welty

"The best in the nation." — James A. Michener

"An important and wonderful week." — Elmore Leonard

"SBWC offers aspiring talents opportunities to have their work seen by professionals who can help them reach publication." — Los Angeles Times

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Write On! Grace Rachow and Erin Munsch“All you have to do is write one true sentence. Write the truest sentence that you know.” — Ernest Hemingway

SBWC 2016 Writing Contest Winners Named

Thank you to those of you who entered our SBWC Annual Writing Contest. After reviewing more than 250 entries from all over the United States, we’d like to congratulate our 3 winners and 2 runners-up.

The following individuals won a full or partial tuition scholarship to this year's conference, June 5-10. You can read their winning entries on our SBWC blog in a few days.

Winners: Full Tuition Scholarships to SBWC 2016

Melanie Howard

Wanda Maureen Miller

Sharon Brown

Honorable Mentions: Partial Tuition Scholarships to SBWC 2016

Sophie Berti

Anita Perez Ferguson

We appreciate every writer who took a chance and submitted their writing to be considered. We know that is a small act of bravery.

There were many excellent entries, but the above writers were the ones who this time around rose to the top.

Congratulations, all.

An e-newsletter will follow with this information and more.

THE HISTORY OF THE SANTA BARBARA WRITERS CONFERENCE — 1989

An excerpt from the upcoming book by Armando Nieto, Mary Conrad, and Matt Pallamary: The Santa Barbara Writers Conference Scrapbook  — Words of Wisdom from Thirty Years of Literary Excellence 1973 – 2003

On Thursday night at the 1989 SBWC, Charles Champlin, The Movies Grow Up—1940-80 and Back There Where the Past Was, long time editor at the Los Angeles Times and beloved SBWC workshop leader was billed as the featured speaker in the SBWC mailings, but decided to share the stage with Joseph Wambaugh, author of The Onion Field, The New Centurians, Echoes in the Darkness, etc., a late addition to the Conference.

Barnaby said in his introduction, Chuck Champlin coined the phrase “I love this conference. Its become the punctuation of my life.” Champlin himself endorsed the phrase when he spoke, talking about the aloneness of writing. He said his endorsement of the SBWC was heartfelt because at this stage of his life, he valued the authenticity and craft of writing, and the opportunity to rub shoulders with fellow spirits.

Champlin spoke in a homespun singsong voice reminiscent of Garrison Keillor and A Prairie Home Companion, bringing alive a time when telephone numbers were WJ5, and bicycles were the main form of transportation around town.

He finished his remarks saying, “I wish you ongoing success with your compulsions, which I share.”

Joe Wambaugh and Chick Champlin

Joe Wambaugh and Chuck Champlin

In his introduction of Joseph Wambaugh, Barnaby Conrad said Wambaugh was quoted as saying “All my wrinkles are on the inside,” in response to a lady’s flattery, and why not, as he was a veteran of fourteen years on the Los Angeles police force.

A special treat for the audience, Wambaugh’s “lecture” took the form of being interviewed by Barnaby Conrad and questions from the audience. For his part, Barny asked how and why Wambaugh wrote alternately fiction and non-fiction.

“Because I can’t always come up with a fiction idea,” he said, Wambaugh sometimes wrote “true crime” stories. Another benefit of writing non-fiction was his comfort level with stumping for those works.

“I was able to publicize The Blooding: The True Story of the Narborough Village Murders,” he said, “because it was a true story, and I wasn’t promoting my own idea.” It was the first time one of his books had been publicized in years.

“When I write a novel, a lot of things change, I go back and forth with my editor,” he continued. Not so much with non-fiction.

Regarding the movies made from his works, he said, “the only one I didn’t like was The Choir Boys. It was a rotten, lousy, sleazy, disgusting movie.” Perhaps it was this kind of attitude that contributed to his reputation among some in Hollywood, but he said he was a much more mature and sober man these days.

Writing for Wambaugh was a means to express a creative energy that plagued him in his adult life. He began with short stories sent to magazines that would pay a penny a word. One story he even sent off to Playboy twice over the space of a year.

“And some cruel bastard at Playboy sent it back, writing, ‘Its no better this time than it was the last!’”

He said that writing while working as a policeman was something he never talked about at work, “and my short stories never sold, to this day!” He also said he believes his first novels were clumsy and somewhat amateurish, perhaps because he first wrote novels as a moonlighting cop—in his mind. Instead of as a writer should write.

He couldn’t say enough about his editor, someone who he’s worked with since The Onion Field. “If you are lucky enough to have an editor, never let her go.” He credits his editor as half the reason for his success in writing subsequent novels.

The other half of his success he attributes to leaving the LAPD.

Barnaby Conrad and Joseph Wambaugh

Barnaby Conrad and Joseph Wambaugh

 

 

Aline Ohanesian at SBWC June 8 @ 7:30 PM, $10 at the door

  OhanesianAline creditRaffi Hadidian

Aline Ohanesian is the author of the critically acclaimed novel Orhan's Inheritance, which was long listed for the Flaherty-Dunnan First Novel Prize, a Summer 2015 Barnes & Noble Discover Great New Writers selection, a April 2014 Indie Next pick. The novel was also a finalist for the PEN/Bellwether Award for Socially Engaged Fiction.

Aline was born in Kuwait and immigrated to Southern California at the age of three. After getting her MA in History, she abandoned her PhD studies when she realized her heart belonged to the novel. She is an alumna of the Bread Loaf and Squaw Valley writers conferences. She lives and writes in San Juan Capistrano, California, with her husband and two young sons.

Photography credit: Raffia Hadidian

AlineOhanesian.com

Location, Location, Location!

Hyatt with ocean-2I am not saying that we writers at the Santa Barbara Writers Conference are on the roof of the Santa Barbara Hyatt that often, but if we were, this is what we would see. We spend the week of the conference right at the edge of the Pacific viewing palm trees and sailboats--a perfect place for inspiration. For more information or to register: sbwriters.com  

10-Minute Pitch Sessions with Agents June 7, 2016

_DSC0599We are about to sell out appointments with Annie Hwang and Corinna Barsan. If you want an appointment with one of these two agents, register on line today. https://www.sbwriters.com/advpitch.php

Get more information at the above link as well. 

What is a pitch session?

This is a 10-minute personal meeting with an agent or an editor in which you “pitch” your book project. For nonfiction writers, a pitch session is an oral proposal in which you lay out the basic idea of your project and its structure in the hopes of piquing the agent’s interest. If you write fiction, you will pitch the idea of your novel to an agent with the goal of interesting the agent to see your manuscript.

 Pitch Session Fees:

The cost for each 10-minute pitch session is $25 dollars. There is no manuscript involved, but you may bring a 1-page query letter or synopsis that you could leave with the agent upon the agent’s request.  https://www.sbwriters.com/advpitch.php

THE HISTORY OF THE SANTA BARBARA WRITERS CONFERENCE — 1988

An excerpt from the upcoming book by Armando Nieto, Mary Conrad, and Matt Pallamary: The Santa Barbara Writers Conference Scrapbook  — Words of Wisdom from Thirty Years of Literary Excellence 1973 – 2003

In 1988 Michael Dell launched the Dell Computer company and Microsoft released Windows 2.1. and the SBWC had some great speakers, among them, Fannie Flagg.

1988 Pic 3Fannie Flagg 1988 

In his introduction Barnaby Conrad recalled some of the SBWC alumns, including Spencer Johnson, The One Minute Manager, and Kitty Kelley, His Way, but said he was most proud of Fannie Flagg. Already a household name as a writer and co-host of Alan Funt’s television show Candid Camera and other television appearances, she came to the SBWC a novice in writing outside of television.

“I’m absolutely thrilled to be here,” Fanny said of her first speaking appearance at the conference.

“I came here twelve years ago and heard Ray Bradbury and was inspired as I assume you were.” Flagg came to believe she could write, and eventually came to write Coming Attractions: Daisy Fay and the Miracle Man. It started as the short story Daisy Fay that won a competition at the SBWC in 1978.

“Barnaby Conrad came up to me and said, “Don’t you think you ought to do something with that?” She sent it off to a publisher and they said it was a nice story, but they wanted a novel.

“So I went out and bought 400 sheets of paper, and started writing. When I finished those 400 pages it weighed four pounds and seven ounces, and the novel ended.”

Between the first and second novel Flagg lost her parents. She returned to her home town, searching for something. Maybe her childhood. She needed an idea for another book because Barny had told her, “One book does not an author make!”

Her lecture was very much a homecoming, and she began to tell the story of her journey along the way in a soft voice, as if in confidence to a dear friend. By the time she began reading from Fried Green Tomatoes at the Whistle Stop Café she’d transitioned seamlessly into a narrator’s voice, still imparting a confidence, but also through the dialogue recreating characters from her hometown of Irondale that you just wanted to meet and learn more about. The narrator, Ninny Threadgoode was a talker, and Flagg had to invent Evelyn Couch so Threadgoode had someone to talk to.

“So I had Evelyn walk down the hall with a candy bar in her hand so she’d have something to do while she listened,” Teri Sforza captured Fanny’s words in a Santa Barbara News-Press interview.  “And Evelyn went berserk on me! She decided to have a life of her own.”

Once she got going it seemed Fanny hardly stopped to breathe. The audience stared at the little redhead who kept glancing up to make sure you were paying attention, blue eyes darting back and forth between her notes and attendees, a little confab between close friends.

1988 was also the first year that veteran Phantastic Fiction Workshop leader Matt Pallamary attended the SBWC as a student and had the good fortune to find himself in Sid Stebel's workshop and subsequently on a televised writing workshop with him. The videos of this television show can be viewed on YouTube beginning here:

https://www.youtube.com/watch?v=8cCBEwV9Vtk

Another historic SBWC moment came that year when Margaret Millar, one of the best known mystery writers of the 20th century and widow of Ken Millar aka the legendary Ross Macdonald received a lifetime achievement award.

1988 News9

 

 

 

Writing Contest Open—Win a Scholarship to SBWC 2016

SwirlSBWC 2016: June 5-10, Hyatt Santa Barbara Dear Writers,

Enter to win a scholarship to the 44th Annual Santa Barbara Writers Conference.

There are three categories to this contest. You may enter one, two or all three. You are welcome to enter multiple times, but please only one entry per email.

Categories:

1) Best opening sentence: Limit 50 words 2) Prose: This can be a short essay, a short story, or the opening to your novel or nonfiction project. Limit 500 words 3) Poem: Limit 44 lines

The judges will look for excellence appropriate to each category.

To enter:

  • Email all entries to info@sbwriters.com
  • Put the category of your entry in the subject line
  • This must be your original work, published or not.
  • Paste your writing entry and contact information into the body of the email. No attachments, please.

Contact information should include:

  • Name
  • Phone number where you can be reached if you are a winner
  • Email address
  • Mailing address
  1. For each category there will be a full tuition scholarship ($650 value) for the 2016 Santa Barbara Writers Conference June 5-10
  2. Scholarship recipients must be able to attend the conference this year
  3. If not, the full scholarship will be awarded to the runner up
  4. No entry fee
  5. Contest opens:  Today, Wednesday May 11, 2016
  6. Submission period closes NOON, Wednesday May 18
  7.  Winners will be announced on Saturday, May 21

Our 44th Year!

Snoopy

"A most stimulating time—a glorious week!" — Eudora Welty

"The best in the nation." — James A. Michener

"An important and wonderful week." — Elmore Leonard

"SBWC offers aspiring talents opportunities to have their work seen by professionals who can help them reach publication." — Los Angeles Times

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If you haven't booked your hotel room yet, check out the amazing and cheap accommodation options on Air Bnb Santa BarbaraYou can rent a single room with private bath close to downtown for only $65 a night. Now that's a steal. Don't let pricey accommodations deter you from joining us at SBWC this June. 

See you in a few weeks.

Write On! Grace Rachow and Erin Munsch

SBWC: 10-Minute Pitch Sessions with Agents

SwirlSBWC 2016: June 5-10, Hyatt Santa Barbara Dear Writers,

Agents get hundreds of written proposals and query letters on a daily basis. Most go straight to the bottom of the pile. A face-to-face conversation with an agent might help your project get better attention.

You're in luckEven though the Advanced Submission deadline has passed, it's not too late to meet with an agent or editor. Sign up for our new 10-minute pitch sessions here. No manuscript needed. 

This is speed dating for writers. Plan ahead what you want to say so that you put forth an image that reflects the quality of your project.How it works:

  • Subject to availability of time slots, you may sign up to pitch your idea to as many agents or editors as you choose. Once you are a registered attendee of the conference, you may pick agents from the list below and use our secure online registration to sign up for a 10-minute pitch session. There is no manuscript involved.
  • Please make your selections carefully. Once purchased there will be no changes or refunds given for any reason, so please consider your choices carefully.
  • Your schedule of pitch sessions will be given to you along with your SBWC conference badge when you check-in at registration on June 5.

Pitch Session Fees:

The cost for each 10-minute pitch session is $25 dollars. There is no manuscript involved, but you may bring a 1-page query letter or synopsis that you could leave with the agent upon the agent’s request.

We have ten participating agents/editors who represent a variety of genres including fiction, nonfiction and memoir. 

Find out more about our confirmed agents/editors by clicking on their names below:  Corinna Barsan —Senior Editor, Grove Atlantic Paul Fedorko— N.S. Bienstock, Inc. Lucas Hunt — Orchard Literary Jennifer March Soloway —Andrea Brown Literary Agency Toni Lopopolo — Toni Lopopolo Literary Management Jill Marr — Sandra Djikstra Agency Angela Rinaldi — The Angela Rinaldi Literary Agency Erin L. Cox—Rob Weisbach Creative Management Annie Hwang —Folio Literary Management Eric Myers —Dystel and Goderich Literary Management

If you haven't already registered, sign up at sbwriters.com

We hope you’ll join us for another amazing and inspirational year.

Our 44th Year!

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"A most stimulating time—a glorious week!" — Eudora Welty

"The best in the nation." — James A. Michener

"An important and wonderful week." — Elmore Leonard

"SBWC offers aspiring talents opportunities to have their work seen by professionals who can help them reach publication." — Los Angeles Times

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10-minute pitch sessions will be available up until Agents Day, June 7 or when all slots are filled.    Write On! Grace Rachow and Erin Munsch

THE HISTORY OF THE SANTA BARBARA WRITERS CONFERENCE — 1987

An excerpt from the upcoming book by Armando Nieto, Mary Conrad, and Matt Pallamary: The Santa Barbara Writers Conference Scrapbook  — Words of Wisdom from Thirty Years of Literary Excellence 1973 – 2003

In 1987 the country was transfixed by the Iran-Contra hearings playing out on television sets across the country, providing more reason to escape to the SBWC. If Nicholas Meyer‘s words from the previous year rang true and “all good fiction” is escapist, what better place to do so than the blue skies and blue roofs of the Santa Barbara Miramar Hotel for the 15th Annual Santa Barbara Writers’ Conference.

New and returning speakers included William F. Buckley, Jr., Nearer My God: An Autobiography of Faith, Overdrive: A personal Documentary, and See You Later Alligator, Jackie Collins, Hollywood Husbands, Hollywood Wives, etc., Dominic Dunne, Fatal Charms and other Tales, and The Two Mrs. Grenvilles, Elizabeth Gilchrist, Your Cheating Heart and Second Chances, A. Scott Berg, Max Perkins: Editor of Genius, Gerry Spence, Gunning for Justice: My Life and Times, Trial by Fire: The True Story of a Woman's Ordeal at the Hands of the Law, Dr. J. Pursch, Dear Doc, rescheduled from the prior year, Stirling Silliphant Pearl, Steel Tiger, Maracaibo, and Silver Star, and Valerie Kelley, the first SBWC speaker on erotic fiction.

Ray Bradbury opened the conference for the 15th year in a row, and seeded the attendees with visions of metaphors and lists of verbs and nouns on Friday night. Saturday afternoon acclaimed screenwriter Stirling Silliphant, The Towering Inferno, Poseidon Adventure, In the Heat of the Night, Charly, etc., also author of several novels, was introduced by movie director Ralph Nelson, Charly, Lilies of the Field, Requiem For A Heavyweight, etc.

Paul Lazarus introduced Ralph Nelson because of their past association, among a group of Hollywood friends who included many of the profession’s greats. Nelson told the story of making the film Charly, when he met daily with Cliff Robertson and Silliphant to carefully craft the movie’s screenplay. Nelson said Silliphant had an uncanny ability to “see” how the script came together—saying, “that scene will require four eights of a page; that scene will take two full pages.”

Because Cliff Robertson was in high demand at the time he formed a partnership with director Nelson to craft and complete the picture. Silliphant would then take the fruits of their efforts and perform the seemingly impossible, especially as the character Charly progressed and regressed through the arc of his intelligence. From his efforts, actor Robertson and director Nelson followed Silliphant’s direction resulting in the classic film Charly.

Silliphant said, “If you don’t stay with the film it will end up not being the movie you wrote.” He added, “I’ve been very fortunate to be with director’s who worked with me, especially with all the juggling they have to do to make a film.

“When you write a script you must, with your choice of words, inspire the people who will read it.”

“I find reviewers to be very funny and interesting people,” she said. “People Magazine ran a positively insulting review of my last book, and that sort of upset me, because the

Sunday night Clifton Fadiman was honored for his lifetime devotion to writers and literature. His credentials include book editor for The New Yorker, critic, essayist, Book-of-the-Month Club judge and author of a dozen books.

Charles Champlin introduced Fadiman displaying a passion not only for Champlin’s reverence of The New Yorker, but also his personal affection for the Santa Barbara resident.

“He influenced the fate of many writers and the tastes of the reading public,” according to Champlin.

Workshop leader Ted Berkman introduced A. Scott Berg, Max Perkins: Editor of Genius the following day. His topic, “Writing A Biography,” built off of his epic biography of Perkins.

Berg started off his remarks telling about a grade school experience where he was required to write a report on an Author. His mother led to his discovery of F. Scott Fitzgerald, for whom he had been named, and by the time he graduated high school he was certified as a legitimate “Fitzgerald nut,” which is why he convinced the Princeton admissions office that he would come anyway if they refused to admit him, and thus he matriculated to Fitzgerald’s alma mater.

At Princeton he found mounds of original documents of Fitzgerald’s tenure at Princeton, including early drafts of the Great Gatsby, and a manuscript of This Side of Paradise annotated by Max Perkins, then working at Scribner’s publishing house. Perkins suggested several corrections, which Fitzgerald accepted. Perkins continued to champion the book with the Scribner’s board including old Mr. Scribner, who eventually agreed to publication.

“Before Max Perkins, an editor was a particular kind of guy,” said Berg, and described a limited relationship between a writer and an editor. “Max Perkins redefined that relationship.”

The relationship between Fitzgerald and Perkins is documented with letters back and forth over a period of twenty years. Editor to Author is a selection of some of those letters published in one book.

To hear Berg speak about the relationship brought up images of a beloved mentorship, with Perkins the mentor and Fitzgerald the privileged mentee. It also evoked memories of a time past, when the economics of the industry and the country allowed for such special relationships, or maybe it was just a time when editors had more courage?

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Gayle Lynds will Thrill Us @ SBWC 2016, June 6

sbwriters.com

Gayle - new photoGayle Lynds

Gayle Lynds will be on stage at the Santa Barbara Hyatt on Monday, June 6, 7:30 PM. She has the generous spirit one would expect of her Midwestern roots, but the page-turning espionage thrillers she writes reflect a wide canvas of world politics and culture.

Her latest award winning thriller, The Assassins,  is no exception.

Gayle is an alum of SBWC. It's rumored she met her late husband, author Dennis Lynds, at this conference many years ago. SBWC audiences have heard her speak several times over the years. Her talks are full of great stories and practical information for writers of all genres.

Have you ever wanted to be a spy? Test your SpyQ on Gayle Lynds' website. http://gaylelynds.com

The morning after her talk she will lead a morning workshop titled "The Villain Drives the Plot: Elements of Character."

The June 7 morning workshop is open to registered students at SBWC (http://www.sbwriters.com/conference/ to register)

The evening talk is open to the public. Tickets $10.

 sbwriters.com

Ross Macdonald Literary Award Opening Night June 5 @ SBWC 2016

  sbwriters.com

Ross Macdonald, creator of Lew Archer, wearing a straw hat

 

Ross Macdonald

On opening night, June 5, 2016, Santa Barbara Writers Conference will host the presentation of the Ross Macdonald Literary Award. In past years the award has been given to Ray Bradbury, Dean Koontz, Sue Grafton, Mark Salzman, Robert Crais, T.C. Boyle, and James Ellroy.

This year, the recognition will be awarded to the prolific writer Dennis Lynds who passed away in August of 2005. His widow, award winning author of political thrillers, Gayle Lynds, will receive the award on his behalf and will speak on Dennis' writing.

He is best known under the pseudonym Michael Collins, writing the Dan Fortune novels, all of which are available in both print and ebook. He wrote in multiple genres under various names over four decades, and he is known for a literary style that transcends the genres he wrote in.

Ross Macdonald, Dennis Lynds and Gayle Lynds all have had a connection to the Santa Barbara Writers Conference, and we are pleased to celebrate this history while honoring Dennis' fine literary style.

http://dennislynds.com

The award ceremony precedes our opening night speaker Rufi Thorpe. This event is open to the public. Tickets $10.

sbwriters.com

THE HISTORY OF THE SANTA BARBARA WRITERS CONFERENCE — 1986

An excerpt from the upcoming book by Armando Nieto, Mary Conrad, and Matt Pallamary: The Santa Barbara Writers Conference Scrapbook  — Words of Wisdom from Thirty Years of Literary Excellence 1973 – 2003

Thursday night was Jonathan Winters night, a Santa Barbara resident frequently seen around town, table hopping when out to dinner or entertaining other shoppers in the local grocery stores.  Before moving to Santa Barbara in the ‘70s and his first appearance at the SBWC, Jonathan had a lengthy career as a comedian and comic actor in many films, including the 1963 “It’s a Mad, Mad, Mad, Mad World,” and a brilliant recurring role on the “Mork & Mindy” show. By the time he moved to Santa Barbara, he was also a successful writer and painter.

As the closing night speaker, Jonathan was introduced by Barnaby Conrad who said they’d created a special Jonathan Winters Humanitarian Award for his long friendship and volunteer work in the community. Jonathan said he preferred something else, preferably in an envelope!

Jonathan began his remarks noting “the remarkable, young and healthy audience ready to face rejection.”

“I have made some notes. People think I don’t,” he added, “but I am under heavy sedation. I know I don’t look it.” He had the audience laughing at the end of almost every sentence.

What followed was a series of comedic sketches as he introduced his audience to some of the readers from around the country who would be reading the output of their labors. It is impossible to do justice to Jonathan’s renditions, but Maude Fricker is familiar to audiences around the world.

“I’m 96 years old!” she said, “and much of this body has been used by my husbands, all of them, and I have 300 children. So you see I have lived!”

He talked about his latest book, and the rejection he faced until he finally was able to get it published. Taking it up, Short Stories and Observations for the Unusual, he read, “This is a little thing called my hobby. ‘I collect rainbows…I collect winks from beautiful women…” and the audience hushed.

To listen to Jonathan Winters read from his writing is an eerie and emotional experience. He reads and writes from the fragile place in his heart, his observations of things going out of existence, or what used to be is as moving emotionally as his comedy is belly slapping.

“I am serious about my writing,” he said, “as I am sure you are about yours — or you wouldn’t be here.”

Jonathan talked about how he was always talking about writing and painting, until he finally heeded the advice that you better put it down before time runs out.

“Most of us are out of school,” he said. “So you better know that time is of the essence, and put it down.”

For those in attendance, Jonathan showed a side that most people never saw. It was impossible not to realize that within this man was a darkness and pain for the vagaries of life, and the memories of a childhood that fueled his comedic genius. It was unarguably a most special occasion, and virtually everyone in the audience was moved and grateful to be in the auditorium on the night of June 26, 1986.

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